Kotomora
JLPT N1ConstructionWritten
Furigana

ともなくともなしにWithout a clear intention; vaguely unspecified

This construction describes doing something absent-mindedly, without a clear purpose or focus. After a question word, it can instead leave a person, place, direction, time, or source vaguely unidentified.

Two closely connected patterns

After a verb, the construction tells us how an action is performed: there is no firm intention, goal, or focus behind it. The action still happens, but the person is not consciously directing it toward a particular result. After a question word, the unclear element itself is left unidentified.

Actions without deliberate focus

The construction often accompanies quiet actions that can continue while the mind is elsewhere.

まどそとるともなくていると、いちとりでんせんりた。

As I gazed out the window without really looking, a bird landed on a power line.

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くともなしにラジオをいていたら、ふるさとめいながれてきた。

I was listening to the radio without paying much attention when I heard the name of my hometown.

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あるくともなくあるいているうちに、ふるえいかんまえた。

While wandering without any particular destination, I found myself in front of an old movie theater.

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Why the verb may appear twice

In this pattern, Japanese often states the verb once before the construction and then repeats it as the main action. This is natural rather than redundant: the first occurrence presents the action as something the person was not consciously trying to do, while the second reports the action that was actually continuing.

An unidentified source, person, or time

どこからともなくきたてのパンのかおりがただよってきた。

The smell of freshly baked bread drifted in from somewhere.

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だれからともなくはくしゅこり、やがてかいじょうぜんたいひろがった。

Someone began to applaud, and before long the applause spread throughout the hall.

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いつからともなく、そのうわさまちじゅうにられていた。

At some point, without anyone knowing exactly when, the rumor had become known throughout the town.

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Different kinds of uncertainty

なに casually suggests an uncertain example or category, such as “a book or something.” かもしれない says that a statement may be true. By contrast, ともなく presents an action as unfocused or leaves a person, place, direction, time, or source indistinct in a more literary style.

More examples

むともなくざっをめくっていると、いちまいしゃしんまった。

As I idly flipped through the magazine without really reading it, a photograph caught my eye.

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かれかんがえるともなしにゆびつくえきずをなぞっていた。

Without consciously thinking about anything, he traced a scratch on the desk with his finger.

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どこからともなく、かすかなピアノのおとこえてきた。

The faint sound of a piano could be heard from somewhere.

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だれからともなくわらごえがり、めたくうがほどけた。

Someone began to laugh, and the tension in the room eased.

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どこへともなくあるし、づけばかわっていた。

I set off toward no particular place and, before I knew it, found myself by the river.

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いつからともなくにわいっぴきしろねこあらわれるようになった。

At some unclear point, a white cat began appearing in the garden.

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ともなく・ともなしに – Without a clear intention; vaguely unspecified